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Night

Erebos

ἜρεβοςRoman: Erebus

The darkness itself, and the road the dead take through it.

1
epithet
0
cult sites
0
offspring
0
unions
1
recorded birth

Vitals

Kind
Primordial
Generation
0
Domains
darkness, the dark between the world and the dead
Accent
Night — darkness, the moon, sleep, the crossroads
Sacred symbols
unlit depth
Principal cult sites
No cult attested

What they were called

  • Ἔρεβος

    the covered place, the gloom

Descent

Emerged fromChaosHesiod, Theogony

Erebos and Nyx come out of Chaos in the same line and are counted in the same generation as it, so this record is deliberately level rather than descending.

Offspring in this roster

None recorded among the figures modelled here.

Notable myths

  1. Aither and Hemera

    Erebos and Nyx, the two dark things out of Chaos, lay together and produced Aither and Hemera — the shining upper air and the daylight. It is the first time in the Theogony that anything generates its own opposite, and it establishes the pattern the rest of the poem runs on.

    Hesiod, Theogony 124-125

The account

Erebos is darkness as a place rather than an absence of light. He comes out of Chaos with Nyx, and their union produces the two things that are their opposites: Aither, the bright upper air the gods breathe, and Hemera, the day. That pairing is the point of him. Hesiod's cosmology is built out of couples that generate their own contraries, and Erebos is the first term in the first of them. In Homer and later poets the name drifts from a person toward a region — the dark that the dead pass through on the way down, or a synonym for the underworld itself, so that a shade is said to go into Erebos. He has no myths of his own, no image and no cult, and he is one of the figures on this site with no surviving classical portrait, because there was never anything to portray. He is a condition that has a name and a genealogical position and nothing else.

Ancient sources

  • Hesiod, Theogony 123
  • Hesiod, Theogony 124-125

Where a line reference is not given, the work is cited without one rather than guessed at.

Image credit

No classical portrait of this figure survives, so the mark on this page is generated from their Greek initial and their domain accent rather than taken from an artwork.