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Underworld

Tartaros

ΤάρταροςRoman: Tartarus

The pit under the underworld, and the god who is that pit.

1
epithet
0
cult sites
0
offspring
0
unions
1
recorded birth

Vitals

Kind
Primordial
Generation
0
Domains
the pit below the underworld, confinement
Accent
Underworld — the dead, the pit, what is under the ground
Sacred symbols
the bronze gate, the threefold night
Principal cult sites
No cult attested

What they were called

  • ἠερόεις

    murky

Descent

No parent recorded — Hesiod names them among the first things.

Named among the first things, with no descent given.

Offspring in this roster

None recorded among the figures modelled here.

Notable myths

  1. Where the Titans Went

    When the ten-year war ended, Zeus sent the defeated Titans down under the wide-pathed earth and bound them there in bitter chains, as far beneath the ground as the sky is above it. The Hundred-Handers were posted at the gates as guards. Hesiod describes the place as having roots and sources of everything above it, all of them ending at that boundary.

    Hesiod, Theogony 717-745

The account

Tartaros is both a place and a person, and Hesiod moves between the two without apology. As a place it is as far below Hades as the earth is below the sky: he measures it as a bronze anvil falling nine days from heaven to earth and nine more from earth to the pit. A bronze wall runs around it and Night is poured around the neck of it three times over. As a person he is one of the first things, named alongside Chaos and Gaia, and he fathers Typhon on Gaia after the Olympians have won. What Tartaros is for is holding things that cannot be killed. The Titans go there after the war, guarded by the Hundred-Handers. Typhon goes there after Zeus burns him. Later writers put human offenders there too — Tantalos, Sisyphos, Ixion — and by the Roman period it has become a place of punishment with a moral structure. In Hesiod it is simpler and worse: it is where you put what will not stop existing.

Ancient sources

  • Hesiod, Theogony 119
  • Hesiod, Theogony 717-745

Where a line reference is not given, the work is cited without one rather than guessed at.

Image credit

No classical portrait of this figure survives, so the mark on this page is generated from their Greek initial and their domain accent rather than taken from an artwork.