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A painted figure of a cupid from the south wall of a bedroom in the House of the Vettii at Pompeii.

Love

Eros

ἜρωςRoman: Amor

The oldest god in Hesiod and the youngest one in every later poem.

Wall painting, House of the Vettii, Pompeii — 1st century BCE–1st century CE

2
epithets
2
cult sites
0
offspring
0
unions
2
recorded births

Vitals

Kind
Primordial
Generation
0
Domains
desire, the force that makes things combine
Accent
Love — desire, grace, marriage
Sacred symbols
the bow, the torch, wings
Principal cult sites
Thespiae, Athens

What they were called

  • λυσιμελής

    loosener of limbs

  • κάλλιστος

    most beautiful among the deathless gods

Descent

No parent recorded — Hesiod names them among the first things.

Named among the very first things, with Chaos and Gaia.

Variant traditions

Apollodorus, Bibliotheca

The later and far more familiar version, which makes the oldest god a child of two Olympians.

Offspring in this roster

None recorded among the figures modelled here.

Notable myths

  1. First and Necessary

    Hesiod lists Eros immediately after Chaos, Gaia and Tartaros, before any union has taken place. The placement is an argument rather than a story: attraction has to already exist before anything can generate anything, so the force that joins things is as old as the things themselves.

    Hesiod, Theogony 120-122

The account

Two figures share this name and they are almost opposites. Hesiod's Eros is one of the first things that exists, arriving with Chaos and Gaia before there is anything to desire, and he is a cosmological necessity: without him nothing would combine and the genealogy would stop at the first generation. Hesiod calls him the most beautiful of the deathless gods, the one who loosens the limbs and overpowers the mind and the sensible counsel of everyone, gods included. The later Eros is a boy with a bow who works for his mother, causes trouble at her direction, and is eventually multiplied into a crowd of Erotes decorating vases and walls. Roman Cupid is that second figure. Both are kept here under one entry with two parentages, because the split is the interesting thing about him: the same god is either the reason the universe holds together or a mischievous child, depending on which century is telling it.

Ancient sources

  • Hesiod, Theogony 116-122
  • Apollodorus, Bibliotheca
  • Hesiod, Theogony 120-122

Where a line reference is not given, the work is cited without one rather than guessed at.

Image credit

Title
House of the Vettii VI 15,1 Pompeii 2023 Painted figure of cupid from south wall of cubiculum (f) courtesy of Klaus Heese
Artist
1st century CE unknown Roman artist; original photography by Klaus Heese
Date
1st century BCE - 1st century CE