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A nineteenth-century drawing after the Pompeian wall painting from the House of the Greek Epigrams, showing Mars at the shoulder of Venus.

War

Ares

ἌρηςRoman: Mars

Everything about war that nobody wants to say out loud.

Drawing after a Pompeian wall painting — 1882

4
epithets
3
cult sites
1
offspring
1
union
1
recorded birth

Vitals

Kind
Olympian
Generation
3
Domains
battle, slaughter, the courage that is indistinguishable from rage
Accent
War — battle, strife, victory
Sacred symbols
the spear, the dog, the vulture, the burning torch
Principal cult sites
Thrace, Sparta, the Areopagus at Athens

What they were called

  • βροτολοιγός

    bane of mortals

  • μιαιφόνος

    stained with slaughter

  • τειχεσιπλήτης

    stormer of walls

  • ἀλλοπρόσαλλος

    shifting from side to side

Notable myths

  1. The Net

    Helios saw Ares and Aphrodite together and told Hephaistos, who forged chains finer than spider silk and invisible, hung them over the bed, and announced he was leaving for Lemnos. The two were caught and could not move. Hephaistos called the gods in to look, and the laughter went on a long time; Apollo asked Hermes whether he would take the shame to be in that position, and Hermes said he would.

    Homer, Odyssey 8.266-366

  2. Beaten by Athena, Twice

    At Troy, Athena guided Diomedes' spear into Ares' belly and he shrieked and fled to Zeus, who told him to stop whining. Later she picked up a boundary stone and hit him with it herself, knocking him flat over seven acres, and stood over him pointing out that she was stronger and that he never learned.

    Homer, Iliad 5.846-906, 21.391-414

The account

The Greeks did not like Ares and did not pretend otherwise. Zeus tells him to his face in the Iliad that he is the most hateful to him of all the gods on Olympos, because strife and wars and battles are always dear to him. He loses constantly: Athena knocks him down with a boulder and laughs; Diomedes, a mortal with her help, puts a spear in him and he bellows like nine thousand men and runs home to complain; two Giants once shut him in a bronze jar for thirteen months and nobody noticed. Set against Athena, who is strategy, he is the part of war that is only violence — the noise, the panic, the wound. His children by Aphrodite are Phobos and Deimos, Rout and Terror, and they drive his chariot. What redeems the entry slightly is that the affair with Aphrodite is the one story where he is happy, and it ends with him caught in a net in front of an audience of laughing gods.

Ancient sources

  • Hesiod, Theogony 921-923
  • Homer, Odyssey 8.266-366
  • Homer, Iliad 5.846-906, 21.391-414

Where a line reference is not given, the work is cited without one rather than guessed at.

Image credit

Title
Venus at her toilette with Mars at her shoulder from exedra o House of the Greek Epigrams
Artist
Geremia Discanno (d. 1907)
Date
1882